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Earth wind and fire after the love is gone download
That’s why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality. For those, who still want to experiment with vocal deletion, we have a fully automated online tool.
You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading! The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized.
It makes music hardly preparable even with the most advanced existing technologies! We can say that we’re only in the beginning. So, let’s make interim conclusions of our discourse. Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality. Karaoke is commonly accessible but not flexible.
What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well? Is your hearing good enough to transcribe all parts exactly? Do you have a lot of time to do all this?
But what if you have a busy schedule, and tomorrow you need, let’s say twenty new backing tracks? All that can only lead to one conclusion. Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them.
All you have to do is to download the set of files to your favorite program! One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals.
Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions. You can replay any part in a multitrack. Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully. It allows verifying accompaniment.
Change arrangements to your taste! The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops.
We choose the most suitable performers from the most brilliant singers and musicians all over the world for every record. Having agents in all continents, we always search for talents and expand the base of performers. The most advanced sound equipment of nowadays is installed at our studio. We control signal purity, mix transparency, the number of restarts to restore, the lack of interferences, noises or hisses, feedback, groundloops, non-linear harmonics, and other unpleasant phenomena that occur while recording, processing, converting, and coding signals.
You always get an ideal signal! They all have the right dynamic balance and panorama. The mix sounds perfectly in any hall and on any equipment.
Our multitracks are intended not only for vocal but guitar , drums , keyboards , bass, saxophone, accordion, and any other instruments. Why is it so significant?
Vocalists mostly use standard phonograms from the Internet; they are often of a bad quality. All instruments are recorded as one track on such phonograms.
Vocalists download them, learn materials, then come to a concert with a flash card, and make their accompanists and instrumentalists, who are actually dependable on them, perform with them by this phonogram. While a vocalist sings and enjoys, an instrumentalist has to play his parts over those already recorded.
To refuse a performance means to offend a vocalist. Vocalists are very vulnerable. It becomes uninteresting to perform, as well as to listen to it. A general impression is messed up; the work of all musicians comes to nothing. There should be a way-out! Our multitracks solve this problem once and for all. Every instrument is recorded separately and saved in a separate file. You can make several custom mixes of one and the same song for performance, depending on the ensemble cast.
Mute your part and play live! We consider that a subtle approach is necessary for rerecording an existing musical content. Every musical style has its features while every song — its unique character. These aspects are important; you should try to save them. A listener might find differences, especially if the song has already gained popularity. By understanding it, we strive to make sounding of our records as similar to the original as possible.
A cold performance never subdues a listener. We strive to work in order to satisfy needs of the most experienced listeners. This way, an inexperienced one takes the result automatically. Right here you find per-channel records of this in different genres: from forgotten songs of the XX century to ultramodern premieres. These are masterpieces, which are household word, and little known compositions, being famous only in the inner circle of connoisseurs. Rock, pop, jazz, disco, funk — music to any taste!
You can pre-listen to every song in a per-channel format in advance! Multitracks are played on any devices.
Cross-platform software exists due to a universal format. Everything depends on your tasks. Apply those devices, programs, instruments, and plugins that you have already used to. Believe your ears! Let your fantasy free! You can record phonograms at home by bringing a ready-to-use mix for a performance or manage loudness of every track in a real time right here on the scene.
In this case, you need DAW or sequencer installed at your laptop and a multichannel sound card to play it. Our catalogue might be helpful for those who consider music not as only hobby but business, the source of income. A ready-to-use multitrack is the economy of resources. Time is the most important resource for you. With the multitrack, you take advantage in time again and again. Save your energy for performances and a creative work!
Payback is an important factor. These investments may not only leave without compensation but do harm right here, at the beginning. Why should you spend money on already prepared things? A considerate attitude to resources and economy policy are the principles that we stick to! As a rule, the multitrack requires neither transcription nor mastering.
It sounds great in any loudspeakers and on any scene! That is you are the main brand that needs investments! In our articles, we provide maximum information so that you could use all possibilities opened for you. Remember, the solution of any difficult technical problem ends in a compromise!
To find such a recording is a piece of good luck! The next variety of backing tracks is karaoke. It could be a video-karaoke or karaoke in mp3-format. It can contain lyrics of the song as subtitles. The format is the most common and the most popular. There’re many different vendors of karaoke. Professional musicians and engineers are participants of their teams. They make a huge quantity of content for them.
If some song becomes popular you’ll be able to find karaoke-version of it very soon! But what if it’s not very popular? Karaoke has one big advantage over other formats – it’s very simple for end-users and users not having any experience at all are able to use it. Push a magic button and enjoy! But what if we want to edit or customize something in the backing track? Another interesting format is MIDI-karaoke. You can try to look for MIDI files of popular compositions in open sources.
Midi-format does not contain any information about the timbre of sound played. MIDI is an interface and it has been originally designed to store and transfer commands, such as when and how loud key is pressed, MIDI does not contain any complex phicysal characteristics of real-word’s sounds. MIDI supposes that you use so called software-hardware complex.
Playing MIDI, hardware of sotware synth uses its embedded timbres to produce sounds. You’re limited by quality or a number of timbers of your synth. MIDI is strictly depends on the hardware where it was created.
If you ever changed your synth, there’s no warranty that you’ll get a great sound on your new synth with you old midi-sources! You can try to open an existing midi-source in a sequencer such as Cubase, Fruity Loops, Pro Tools or any other , install all VST-instruments required, and only after then you’ll get some meaningful result.
So, MIDI provides to you lots of opportunities to make a custom mix, but you have to be technically advanced enough to do it. Even if you’re experienced already, customization with midi-sources takes a time, and it’s a problem! The next two heroes of our story are such backing tracks created by cutting of original songs or produced with the help of existing voice removal tools. In the case of cutting, there’re no difficulties it this thing. Open any editor Audacity, Sound Forge, Abobe Audition , select any fragment of an original song without voice and copy it again and again.
But problem is that the song’s arrangements are very sophisticated sometimes and you’ll not be able to find a good piece to copy-paste a bridge, for instance. That is where the work of voice-removal and voice-reduction instruments.
Let’s look at what’s happening with the sound when we apply voice-removal, why is this so ugly and your ears go numb when you listen to such phonograms. Voice removal tools make a new copy of an original mix where the vocal is looking like deleted with the help of phase inversion. Practically, yes. Not only lead singer’s signal is destroyed this way! Not only the main vocal but also other instruments are located in the center of stereo pan.
These important instruments include bass and kick. While we increasing the level of phase inversion, distortions will appear inevitably and be noticeable by ear. Bass and kick will suffer first it causes psychoacoustic factors. Strictly speaking, 99 percent of sounding instruments are presented in the center one way or another, and the whole phonogram will suffer.
This is a lion’s share of a good commercial mix. Let’s take to account that delays and revs occupy all width of the stereo base and fly away all over the stereo panorama. Their sounding merges with all the rest instruments, and the so-called masking effect acts.
Even if you decide on making it, you will have to delete all music, leaving just the stereo panorama periphery, its leftmost and rightmost points. That’s why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality. For those, who still want to experiment with vocal deletion, we have a fully automated online tool.
You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading! The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized.
It makes music hardly preparable even with the most advanced existing technologies! We can say that we’re only in the beginning. So, let’s make interim conclusions of our discourse. Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality.
Karaoke is commonly accessible but not flexible. What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well? Is your hearing good enough to transcribe all parts exactly? Do you have a lot of time to do all this? But what if you have a busy schedule, and tomorrow you need, let’s say twenty new backing tracks?
All that can only lead to one conclusion. Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them.
All you have to do is to download the set of files to your favorite program! One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals.
Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions. You can replay any part in a multitrack. Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully.
It allows verifying accompaniment. Change arrangements to your taste! The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops.
We choose the most suitable performers from the most brilliant singers and musicians all over the world for every record. Having agents in all continents, we always search for talents and expand the base of performers.
The most advanced sound equipment of nowadays is installed at our studio. We control signal purity, mix transparency, the number of restarts to restore, the lack of interferences, noises or hisses, feedback, groundloops, non-linear harmonics, and other unpleasant phenomena that occur while recording, processing, converting, and coding signals.
You always get an ideal signal! They all have the right dynamic balance and panorama. The mix sounds perfectly in any hall and on any equipment. Our multitracks are intended not only for vocal but guitar , drums , keyboards , bass, saxophone, accordion, and any other instruments. Why is it so significant? Vocalists mostly use standard phonograms from the Internet; they are often of a bad quality. All instruments are recorded as one track on such phonograms. Vocalists download them, learn materials, then come to a concert with a flash card, and make their accompanists and instrumentalists, who are actually dependable on them, perform with them by this phonogram.
While a vocalist sings and enjoys, an instrumentalist has to play his parts over those already recorded.
After the love is goneMP3 Download 下载-Earth,Wind And Fire-MusicEnc.Additional information
Isolated tracks of ‘After the Love Has Gone’. Only with our stems, you can adjust channels’ volume and timbre as you like! In the article given, we’ll run through some technical subjects, which sometimes stay uncertain or misunderstood. We’d also like to share our experience and to talk a few words about our vision and approach. Let’s reflect a little bit more about where all phonograms are even coming from and what kinds of backing tracks are there?
You can find some original stems shared by songs’ authors themselves. Many artists and groups purposefully publish their most technically difficult, commercially successful, or just very popular songs in the multitrack format. It’s the way to get more respect in the professional industry, among other musicians and sound engineers. For instance, such multitracks could be used by people interesting the art of mixing, other musicians or DJs. It’s a very useful experience to learn multitracks of the greatest hits!
Studio-stems are raw sources, as a rule. Yes, you have physical files, but you don’t have appropriate hardware mounted in racks, mixer console as used during record and many other things.
To make a good mix is a complex task, it’s a creative act. That’s why it’s very difficult to recover all the palette of the original mix even in you have an original multitrack! Such tracks, as a rule, are shared by authors or their assistants. The original phonogram has only a few differences from the original multitrack. The difference is that all instruments are bounced in a stereo-track. You don’t have to make an effort to create a great final mix, like in the case with another kinds of backing tracks, but you don’t have a technical opportunity to extract something from the mix finalized.
We can say that the original backing track is closed for transformation. One bad move can destroy a whole mixdown! Sometimes there could be a few different versions of the original phonogram: with or without backing vocal. To find such a recording is a piece of good luck! The next variety of backing tracks is karaoke.
It could be a video-karaoke or karaoke in mp3-format. It can contain lyrics of the song as subtitles. The format is the most common and the most popular. There’re many different vendors of karaoke.
Professional musicians and engineers are participants of their teams. They make a huge quantity of content for them. If some song becomes popular you’ll be able to find karaoke-version of it very soon! But what if it’s not very popular? Karaoke has one big advantage over other formats – it’s very simple for end-users and users not having any experience at all are able to use it. Push a magic button and enjoy! But what if we want to edit or customize something in the backing track?
Another interesting format is MIDI-karaoke. You can try to look for MIDI files of popular compositions in open sources. Midi-format does not contain any information about the timbre of sound played.
MIDI is an interface and it has been originally designed to store and transfer commands, such as when and how loud key is pressed, MIDI does not contain any complex phicysal characteristics of real-word’s sounds. MIDI supposes that you use so called software-hardware complex. Playing MIDI, hardware of sotware synth uses its embedded timbres to produce sounds. You’re limited by quality or a number of timbers of your synth. MIDI is strictly depends on the hardware where it was created.
If you ever changed your synth, there’s no warranty that you’ll get a great sound on your new synth with you old midi-sources! You can try to open an existing midi-source in a sequencer such as Cubase, Fruity Loops, Pro Tools or any other , install all VST-instruments required, and only after then you’ll get some meaningful result.
So, MIDI provides to you lots of opportunities to make a custom mix, but you have to be technically advanced enough to do it. Even if you’re experienced already, customization with midi-sources takes a time, and it’s a problem!
The next two heroes of our story are such backing tracks created by cutting of original songs or produced with the help of existing voice removal tools. In the case of cutting, there’re no difficulties it this thing. Open any editor Audacity, Sound Forge, Abobe Audition , select any fragment of an original song without voice and copy it again and again.
But problem is that the song’s arrangements are very sophisticated sometimes and you’ll not be able to find a good piece to copy-paste a bridge, for instance. That is where the work of voice-removal and voice-reduction instruments. Let’s look at what’s happening with the sound when we apply voice-removal, why is this so ugly and your ears go numb when you listen to such phonograms. Voice removal tools make a new copy of an original mix where the vocal is looking like deleted with the help of phase inversion.
Practically, yes. Not only lead singer’s signal is destroyed this way! Not only the main vocal but also other instruments are located in the center of stereo pan. These important instruments include bass and kick.
While we increasing the level of phase inversion, distortions will appear inevitably and be noticeable by ear. Bass and kick will suffer first it causes psychoacoustic factors. Strictly speaking, 99 percent of sounding instruments are presented in the center one way or another, and the whole phonogram will suffer. This is a lion’s share of a good commercial mix. Let’s take to account that delays and revs occupy all width of the stereo base and fly away all over the stereo panorama.
Their sounding merges with all the rest instruments, and the so-called masking effect acts. Even if you decide on making it, you will have to delete all music, leaving just the stereo panorama periphery, its leftmost and rightmost points.
That’s why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality.
For those, who still want to experiment with vocal deletion, we have a fully automated online tool. You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading! The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized.
It makes music hardly preparable even with the most advanced existing technologies! We can say that we’re only in the beginning. So, let’s make interim conclusions of our discourse. Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality.
Karaoke is commonly accessible but not flexible. What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well? Is your hearing good enough to transcribe all parts exactly?
Do you have a lot of time to do all this? But what if you have a busy schedule, and tomorrow you need, let’s say twenty new backing tracks? All that can only lead to one conclusion. Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them. All you have to do is to download the set of files to your favorite program!
One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals. Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions.
You can replay any part in a multitrack. Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully. It allows verifying accompaniment. Change arrangements to your taste!
The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops. We choose the most suitable performers from the most brilliant singers and musicians all over the world for every record.
Having agents in all continents, we always search for talents and expand the base of performers. The most advanced sound equipment of nowadays is installed at our studio.